I worked with Sammy and Lauren to do a simple first test, designing basic shapes in illustrator and cutting/engraving them with the Bantam. We “rescued” some used craft ply from the materials shelf and cut it down to size on the bandsaw.
Timelapse of our first test:
Each of us cut some simple geometry this birch ply, following the process of designing the part, measuring the material and attaching it to the bed with double-sided tape.
Here was my first wood piece off of the Bantam with some light sanding:
I wanted to try making a few gears, having done them a few times before on the laser cutters and struggling with accuracy. I used this spur gear generator tool to make some simple gears. I ran into a few issues here, as the SVGs generated by this tool both a) included extra lines and b) couldn’t be opened by Illustrator directly. I found a workaround using Inkscape to open the files, but had to copy the SVGs into Illustrator to then export them in the right canvas dimensions.
Here’s a screenshot of the original generated gear files. In order to work with them on the Bantam, I removed the blue lines and separated each of the paths into separate files (”axle” and “teeth” paths for both gears, 4 files in total).
I cut these at 1.5x size, realizing that I didn’t have the right bit sizes for the interior corners (and that the generated SVGs were incredibly small).
After cutting these out, I decided that I wanted a stand for these gears. I grabbed a scrap piece of pine, and roughly sketched out this set of pockets.
The black circles in the diagram on the far right depict the inset pockets under the gears. This cutout is to reduce the friction on the gears as they turn. The left side of the larger circle is cut off; this is where the edge of the underlying wood will sit, meaning that the gear would stick out on the left side for easier access.
This process was pretty painless. As seen at 0:07, I initially did a 1mm test to ensure that my dimensions were correct, dry fitting the gears into the shallow pocket. After confirming that everything was correct, I ran the pocket at a deeper engraving level, adjusting for the new (shorter) material height.
The deepest pocket was a different file altogether, and I had some difficulty getting it aligned. I’m used to Fusion360 where I can choose chained operations, and design the whole piece in one go. As you can see, the relief pockets are misaligned from the gear axles; luckily for me, their positions aren’t mechanically necessary, and I had a lot of tolerance.
After some sanding, here’s the finished object(s):
Tools list: